While Anna has concentrated on Early Music and Historically Informed Performance during the first years of her career, she has since added to her expertise in this area experience with the Italian and the bel canto repertoire. Careful and attentive training, and avoiding to sing “heavier” repertoire before the voice is able to master it, allows her to sing the more dramatic repertoire without the voice loosing flexibility or beauty.
Bach, J.S. Johannes-Passion Alt
Magnificat D-Dur Alt
Matthäus-Passion Alt
Messe h-moll Alt/ Sopran II
Weihnachtsoratorium I-VI Alt
diverse Kantaten Alt
Beethoven, L. v. Chorphantasie Alt
Buxtehude, D. Membra Iesu Nostri Alt/ SopranII
Brandmüller, Theo Cantico delle Creature Alt
Dvorák

Gorup, Vladimir

Messe in D-Dur

Die zehnte Muse: Sappho-Fragmente

Elektras Klagelied

Alt

Alt

(Mezzo)sopran

Händel, G.F. Dettinger Te Deum Alt
Dixit Dominus Alt/ Sopran II
Messias Alt
Mi palpita il cor Alt
Haydn, J. diverse Messen Alt
Stabat Mater Alt
Homilius, G.A. Johannes-Passion Alt/ Sopran II
Kuhnau, J. Magnificat Alt/ Cantus II
Honegger, A. Le Roi David Alt
Mendelssohn-Bartholdy, F. Elias Alt / Sopran II
Paulus Alt
Symphonie Nr. 2 “Lobgesang” op.52 Sopran II
Mozart, W.A. diverse Messen Alt
Messe in c-moll Sopran II*
Requiem Alt
Pärt, A. Passio Alt
Palmeri, M. Misa Tango (Misa a Buenos Aires) Mezzosopran
Pergolesi, G.B. Stabat Mater Alt
Ramirez, A. Misa Criolla Alt
Rosenmüller, J. Dixit Dominus Alt
Rossini, G. Petite Messe Solennelle

Stabat Mater

Alt

Mezzosopran*

Saint-Saens, C. Oratorio de Noel Mezzosopran/ Alt
Schubert, F. Messe in As-Dur Alt
Verdi, G. Requiem Mezzosopran
Vivaldi, A. Gloria RV 589/588 Alt
diverse Kantaten Alt/ Mezzosopran
Magnificat Alt
Xenakis, I. Zyia (Mezzo)sopran

Mit * bezeichnete Partien wurden bisher noch nicht aufgeführt.