While Anna has concentrated on Early Music and Historically Informed Performance during the first years of her career, she has since added to her expertise in this area experience with the Italian and the bel canto repertoire. Careful and attentive training, and avoiding to sing “heavier” repertoire before the voice is able to master it, allows her to sing the more dramatic repertoire without the voice loosing flexibility or beauty.
Bach, J.S. | Johannes-Passion | Alt |
Magnificat D-Dur | Alt | |
Matthäus-Passion | Alt | |
Messe h-moll | Alt/ Sopran II | |
Weihnachtsoratorium I-VI | Alt | |
diverse Kantaten | Alt | |
Beethoven, L. v.
| Messe in C-Dur Chorphantasie | Alt Alt |
Buxtehude, D. | Membra Iesu Nostri | Alt/ SopranII |
Brandmüller, Theo | Cantico delle Creature | Alt |
Dvorák, A.
Gorup, Vladimir
| Messe in D-Dur Requiem Die zehnte Muse: Sappho-Fragmente Elektras Klagelied | Alt Alt Alt (Mezzo)sopran |
Händel, G.F. | Dettinger Te Deum | Alt |
Dixit Dominus | Alt/ Sopran II | |
Messiah | Alt | |
Mi palpita il cor | Alt | |
Haydn, J. | diverse Messen | Alt |
Stabat Mater | Alt | |
Homilius, G.A. | Johannes-Passion | Alt/ Sopran II |
Kuhnau, J. | Magnificat | Alt/ Cantus II |
Honegger, A. | Le Roi David | Alt |
Mendelssohn-Bartholdy, F. | Elias | Alt / Sopran II |
Paulus | Alt | |
Symphonie Nr. 2 “Lobgesang” op.52 | Sopran II | |
Mozart, W.A. | diverse Messen | Alt |
Messe in c-moll | Sopran II | |
Requiem | Alt | |
Pärt, A. | Passio | Alt |
Palmeri, M. | Misa Tango (Misa a Buenos Aires) | Mezzosopran |
Pergolesi, G.B. | Stabat Mater | Alt |
Ramirez, A. | Misa Criolla | Alt |
Rosenmüller, J. | Dixit Dominus | Alt |
Rossini, G. | Petite Messe Solennelle Stabat Mater | Alt Mezzosopran* |
Saint-Saens, C. | Oratorio de Noel | Mezzosopran/ Alt |
Schubert, F. | Messe in As-Dur | Alt |
Verdi, G. | Requiem | Mezzosopran |
Vivaldi, A. | Gloria RV 589/588 | Alt |
diverse Kantaten | Alt/ Mezzosopran | |
Magnificat | Alt | |
Xenakis, I. | Zyia | (Mezzo)sopran |
Mit * bezeichnete Partien wurden bisher noch nicht aufgeführt.